Scenic-musical corporeities: investigating the body and the scene in music performances.
Corporeality, Staging; Sensitive Experience; Musical Performance.
This research tries to contribute to the field of Communication, starting from studies of communication and music, by offering a discussion about the sensitive and inventive experience of musical performances, thought from the analysis of the bodies of the musicians/performers and the public that participates in them. For this, I try to develop an idea of “musical-scenic corporeity” as a way of proposing that the analyzes of events of this nature consider more closely the way in which bodies act on stage, in articulation with the notions of staging and fictionalization of the self, and of the actors. transference acts linked to performance as episteme. I think of these
questions in conjunction primarily with theories from the field of theatre, dance, performance and communication studies and music. In addition, I bring, in a less centralized way, philosophical discussions and queer theory
about the possibility of thinking about the body in the art of musical performance as a place of experimentation of possibilities and experiences beyond the current norms.