Banca de DEFESA: ALVARO RENAN JOSE DE BRITO ALVES

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
STUDENT : ALVARO RENAN JOSE DE BRITO ALVES
DATE: 19/12/2023
TIME: 14:30
LOCAL: PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO
TITLE:

Mapping forms and practices of Essay Film – Towards a pedagogy of gaze and a thought through image

KEY WORDS:

Essay Film; Cine-pedagogy; Cinema-Education; Pedagogy of gaze;

PAGES: 137
BIG AREA: Ciências Sociais Aplicadas
AREA: Comunicação
SUMMARY:

The present work aims to develop the relationship between thought and essay film through a theoretical review of the essayistic theme in cinema and connections with authors in the field of Education. The goal is to outline a pedagogy of vision and a thought through images based on the practice of visualizing and creating essayistic films (whether documentary, autobiographical documentary, or in first-person inscription). The editing gestures of these films (interrupting and repeating) reinforce the uniqueness of cinema's way of thinking. On the other hand, we seek to understand the special place the viewer assumes in front of essay films, attempting to analogically consider the viewer's status and the role of the "learner" in the context of film education (or Cine-pedagogy). We present an account of a course experience (Curriculum, Cinema, and Education) taught by myself and professors Thiago Antunes and Thereza Didier for the Pedagogy program at the Education Center of UFPE. The course aimed to stimulate the appropriation of a repertoire of essayistic films, as well as instruments, techniques, and strategies for working with image and sound archives. Hence, the importance of contemplating the idea of an "archive" in the context of the chaotic availability and circulation of images on the Internet, as well as the significance of filmmaking as a gesture creating havens of memory and attention for this material. Ultimately, in the concluding chapter, we discuss the problem of generating doubt through the gratuitous and irresponsible use of editing tools and the role of cinema, especially the essay film, in considering doubt from another perspective: not one that implies disbelief in the world and indifference but one that positions us to take responsibility for facing its problems, violence, and inequalities.

COMMITTEE MEMBERS:
Interna - 1025436 - CATARINA AMORIM DE OLIVEIRA ANDRADE
Interna - 3227594 - CRISTINA TEIXEIRA VIEIRA DE MELO
Externa ao Programa - 2228667 - MARIA THEREZA DIDIER DE MORAES - nullPresidente - 1435892 - NINA VELASCO E CRUZ
Externa à Instituição - ROBERTA OLIVEIRA VEIGA - UFMG