This master's dissertation intends to analyze the work "A Pintura em pânico", published in 1943 by the writer and plastic artist Jorge de Lima from Alagoas, from a perspective of intersection of verbal and non-verbal languages, that is, in the ways in which the word is semiotified and it changes in contact with the image, and vice versa. Our intention with this work is to interpret the liminal poetic sign and its extraverbal reverberations. To this objetive, we depart from studies of Semiotics and Intersemiosis to guide our discussions. The research of Charles Sanders Peirce (2017), Décio Pignatari (1987 and 2004), Antonio Vicente Seraphim Pietroforte (2006, 2021), Roman Jakobson (1970) and Julio Plaza (2003), in particular, will be substantial to support our hypotheses.